CHAPTER 100: CHAPTER 89: SHOCKING CURRY ALL NIGHT (4K)

"Mr. Lin Ke, you’ve won." Curry Housekeeper finally sighed, looking relieved.

Lin Ke smiled and nodded.

Which is more important, research related to creating professions, or the profession of [The Singer]?

Undoubtedly, as long as Lin Ke knew something that even Ove didn’t, the professions in his hands were bound to emerge like an erupting spring.

"The profession I envision is somewhat similar to [Minstrel] and the choir’s [Praise-giver], with ’singing’ as the core trait. Specifically..."

Lin Ke immediately began to discuss the trait conception of [The Singer], supplemented by evidence from the theater group and Sophie’s self-enlightenment.

As for why Lin Ke would elaborate to Curry Housekeeper on professions within the theater group that had yet to be discovered?

Because entertainment and culture are always complementary.

Even thought and cultural invasion often rely on the invasion of entertainment.

Movies from the previous life first sought special effects to defeat other films in terms of visual experience.

Then, additional content would be included afterward.

Some movies equate freedom with lawlessness and embracing chaos, promoting beautiful vistas and advocating for violent resistance against injustice.

In reality, there were many ways to combat injustice in the past life, and violence was the most harmful to both others and oneself.

Some movies portray those who adhere to the law as rigid, evil, and mindless.

For instance, certain characters are depicted as so upright that audiences would think, "At this point, are you still obeying the law? Wouldn’t it be better to just shoot someone in the head?"

Unbeknownst to them, if you or I were to solve trivial matters with a gunshot to the head, you might have already been shot in the head over some small issue in the past.

Other movies depict lawless individuals as genius scientists with kind hearts and a sense of justice.

Or they incorporate friendship, bonds, and justice inherent in humanity into anime, then make the protagonist a samurai or ninja, making people equate ninjas with friendship and bonds.

In reality, some historical figures were always involved in deceit, cruelty, and brutality.

The so-called "whitewashing" happens when the same identity is used to portray grand, authoritative influences to distort how those unaware perceive such identities.

Once entertainment export succeeds, they push out figures like Haruki Murakami for admiration and readership, then support cultural high grounds, praising high national quality and craftsmanship spirit.

Or they create a batch of idol stars, telling everyone that a man must be refined to be handsome, reducing rugged men to being rough, and diminishing inner qualities like responsibility, strength, and fortitude...

There are too many examples!

It’s important to realize that many cultural invasions start from entertainment.

If Lin Ke were to introduce texts like the "Four Books and Five Classics" and "Three Principles and Five Virtues" right away and promote them heavily...

Would anyone really read them?

Reflect on the not quite successful cultural exports from the previous life to understand.

If something is not appealing to one’s own people, who else would it appeal to when exported?

But, if Lin Ke were to develop a smartphone here, then create something like a short video Gula version, short video Naseng universal version, or some chat software, shopping app...

Then use movies, short videos, advertisements, live streams, and merchandise for further export.

Among these, label paradise, the land of freedom, and a perfect country with the name "Azanen."

Then make all protagonists just, free, kind, and adorably clueless Azanen people, while antagonists are among other rival noble territories.

Surely, over time, Azanen would become a free and beautiful high ground on the Naseng Continent, places everyone longs for and takes pride in being a resident of.

Then talents would continuously flock here, and Lin Ke could make use of them.

Of course, it’s hard to remember.

Take it step by step, and start with a theater group!

First, work with the Imperial Family to expand the theater group market.

Create some plays, novels, and other cultural works, publicize them first and then take it from there.

And now, facing Curry, Lin Ke has essentially revealed some profession concepts aside from [The Singer].

He even shared part of the future development plans for the Azanen Drama Troupe.

This includes many aspects, such as reinvesting money earned from entertainment into production, infrastructure, and development.

Create products based on demand, or directly produce items to meet new needs.

These products become new economic sources and are invested in new research.

In the process, a large number of products and by-products might be generated, which may foster new industries. These industries might give birth to more professionals.

Among them, perhaps banks, insurance, lottery, and various financial institutions could sprout.

By then, it would be like a rolling snowball.

The most crucial part is that there, no matter how large the capital snowball grows, it can still be controlled by professionals and nobles.

After all, many times, the advancement of many professionals isn’t related to money; having more money doesn’t necessarily help.

Therefore, Lin Ke doesn’t mind unleashing the beast of capitalism.

Only by unleashing this beast of capitalism does he have hope to solve and fend off the curse from the King of Gods.

"...So, I have long-term plans for Azanen’s future, what do you think, Mr. Curry?"

Lin Ke sat upright in the velvet-backed chair, with short legs crossed, sipping on a cup of sweet Gula Milk, smiling at Curry.